Today's composers would love to discover the elusive formula for artistic permanence. But it was probably always so. Even German composer Johannes Brahms (1833-1897) did not instantly achieve the ...

Brahms's piano concertos are two of the greatest pillars of the Romantic repertoire. The first, written in 1858 when the composer was still a young man, is like a symphony where piano and orchestra ...

Performances in N.Y.C. Advertisement Supported by Early in his career, Andras Schiff disdained historical authenticity. Now he embraces it, including on a revelatory new Brahms recording. By David ...

An unknown work by the composer Johannes Brahms has come to light after almost 160 years following its chance discovery in a visitor's book, and will be played for the first time next week. The ...

It’s a great week for keyboard fans, especially those who love Brahms’ piano music. Noted pianist Vladimir Feltsman is in town for an extended stay with the Seattle Symphony, where he first plays ...

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Performances in N.Y.C. Advertisement Supported by My Favorite Page The pianist Paul Lewis picks his favorite page of Brahms’s late solos, a work of “abject anguish.” By David Allen The British pianist ...

NEW YORK — A century separates the clarinet quintets of Mozart and Brahms, but at the emotional heart of each sits a slow movement of rapt, bucolic calm. In both, the strings play with mutes, creating ...

Stephen Kovacevich's new EMI recording of Brahms's D minor Piano Concerto with the LPO under Wolfgang Sawallisch strikes me as being an altogether exceptional account of this leonine, beautiful, but ...

The Brahms Piano Concertos are two of the largest and most demanding in the repertoire. This season they will be played on consecutive weeks by Denis Kozhukhin. Richard Bratby tells the story of their ...

For all the serious and complex orchestral music he composed, there's a lighter side to Johannes Brahms. This, after all, was the man who was so taken with Hungarian gypsy music, he wrote a whole set ...

Some composers we know are lovable, just because the whole world loves them. Think of Mozart or Tchaikovsky or Puccini. Brahms is different. In person, he was as prickly as a hedgehog. It’s no ...