Gus Van Sant continues the mass-media-meets-violence conversation of 'To Die For,' but doesn't have much to say about this ...
It plays a little loose with facts but the righteous rage of “Dog Day Afternoon” is present enough in Gus Van Sant’s “Dead Man’s Wire.” ...
The Joyless Street” is among the most chopped-up films of the silent era. A restoration at MoMA’s To Save and Project series ...
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